Kiss Me Kate, Milton Musical Society, Regent Centre, Christchurch
THE plot of Kiss Me Kate sees a fictional theatre company on tour from Venice to Padua with various stop-off points in between. It seemed to me that this production unintentionally encompassed both the high-octane energy that invariably marks a tour’s opening with the inevitable tiredness of its ending, and consequently the high spots – in particular the excellent Too Darn Hot, headlined by the equally excellent Martin Mansfield as Paul - were in great contrast to one or two rather lack-lustre scenes elsewhere.
Max White, despite a commanding presence and strong vocal & acting skills that should have made him ideal for the role, appeared at times to be un-naturally ill-at-ease as Fred, although he certainly came into his own when dealing with ex-wife Lily (a feisty performance from his real-life wife Michele Moulin-White).
Gaynor Adnett was a lovely, bubbly Lois, well matched by Lee Neal as Bill. Her song Tom, Dick or Harry, which also included other suitors Gremio (Sam Matthews) and Hortensio (D’raven Smith), was a delight.
There were good characterisations too from Syd Young (Lippy), Ray Adnett (Slug), Marie Coltman (Hattie) and Roger Cooper (Harrison Howell), and chorus work was strong and lively.
Linda Kirkman